Articles
Notes on craft, heritage and making things last
Short essays on Sadu weaving, sustainable fashion and the practical work of preserving cultural heritage.

Reading a Sadu strip
A ground loom, three kinds of animal fibre and a handful of geometric shapes: how a Sadu textile is made and how to look at one.
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From loom to wardrobe
Why heritage textiles and circular fashion belong in the same conversation, and what it takes to design for both.
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What operations taught me about preserving crafts
Eleven years in sales and process work gave me habits that heritage preservation needs just as much: manuals, records and regular review.
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